Dozens of original recipes by Sales and Pollard and Taddy & Co Rediscovered in Museum Archive

S.P, Scotch Black, Best Common and Violet Brown Scotch are among the many recipes found in a museum archive, formulated long before long before Frederick Lloyd’s time. For now I’m keeping the whereabouts close but anyone researching Sales and Pollard can find them as I did. Most of the text is beautifully written but, understandably, is faded with time. My son made hundreds of photographs to sort through. All photographic material is copyrighted but we somehow forgot to return the signed copyright declaration form in compliance with copyright legislation and the archivist forgot to ask for it when leaving.

I have a vast amount of material to sift through and am not sure how to take things from here. What I will probably do over the next few weeks – if readers are interested - is to compile a full list of items by name and post them here together, if I can, with a brief description.

Many snuffs I’ve never heard of before such as Zealey’s, English Gentleman, Frankfurt Rappee, Polhill’s Black Rappee, Common No.9 or Jefferson’s Mixture and many, many more recipes - some of which are made by simply mixing ready-made snuffs (the mixtures). Others such as Bureau, Grand Cairo and Santo Domingo are well-known although the recipes might now differ.

The adulterations seem quite straightforward. For example it comes as no surprise that S.P was flavoured with English Lavender, Bergamot and Cinnamon in specific proportions. But it’s in the curing of various grades of leaf, smalls and stalk in such large quantities that seems daunting. S.P Scotch, for example, requires no less than nine layers of varied leaf grades and types, stalks and shorts, gradually stacked over a number of specific days. Also I’m not sure whether liquoring involving, for example – Pearl Ash, alum, salt tartar and potash would be legal these days. Does anyone have any idea as I’m thinking ahead to possibly resurrecting some recipes? Various other ingredients for liquoring include: Orris Root, Rhodium Oil, Logwood Extract, Spanish Juice (whatever that is) Cloves and Honey.

Most of the tobaccos are familiar American names such as Virginia Leaf, Kentucky Leaf (bright, fine and medium) but I’m unsure of the difference between Kentucky Leaf and Kentucky Strip and I’m puzzled by Java Leaf and Japan.

Sharrow would doubtless have the know-how and resources to make a facsimile of one or more of these items – assuming James Hanson is interested – although other mills would not exactly replicate the 18th century mills powered by the River Wandle in Carshalton, Surrey – such as Ansell’s Water Mill - which were used by Sales Pollard and other wholesale snuff manufacturers.

Failing that an artisan manufacturer might be interested although, as expected with a wholesale manufacturer, the quantities involved, time and preparation would probably be beyond the resources of a cottage industry. Some recipes cost over £12,000 in raw materials, an astonishing amount of cash to invest back then and a very risky business venture for a manufacturer.

If someone can guide me on inserting pictures I’ll enclose the start of the 1830’s recipe for Sales and Pollard’s Violet Brown Scotch – popular in Cornwall for some reason – as a sample.

NB. On page 65 of Mark Chaytor’s book ‘The Wilsons of Sharrow-The Snuff-Makers of Sheffield’ he recalls early snuffs – no longer made at Sharrow - of which the significance of the letters is lost. For example he mentions BA snuff. I know now that BA stands for Black Amersfoort, a Dutch style snuff and I have the long-forgotten recipe for that as well.

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Nice job done excavating them oldies, @PhilipS2! I would be interested to see how they compare to those from Dutch and German tobacco processing books.

Some of the listed additives, namely - alum and logwood - are just a dyestuff and can be skipped (although up to until very recently Bernard guys have made a couple of dyed schnupfs). Vast majority of currently manufactured snuffs contain alkalizers, some of them are also fortified with ammonium salts (ammonium carbonate and ammonium choride) and salt is still used for many snuffs. As far as I know, cream of tartar is only used by one German artisanal snuffmaker nowadays.

In all fairness, I don’t think that Kendal or Sharrow mills would be interested in resurrecting them (both companies do have plenty of their own proprietary, now-“dormant” recipes, and - dear I assume - quite a few of them can be expected to be similar to those rediscovered by You), but Sir Walter John Scott might be excited in giving some original prescriptions a whirl. By the way, MdK folks have proved that a creative approach can give a very satisfying end result when following old prescriptions to a T is not a possibility. When it comes to snuff matter, everything can be reasonably modified, tweaked, substituted and doctored.

So, not a breathtaking piece of news for the big guys from the industry, but quite an exciting tidings for the snuff partaking community, historians and artisanal and hobbyist snuffmakers. Waiting forward to taking a glance at the bits - readers are interested!

Re inserting files, an Upload button (as shown below) on a top of this messaging window board should do the work.

P. S. By any chance, have You stumbled upon any prescriptions for Welsh and Irish snuffs among those S.&P. / Taddy & Co papers? Scotch Black recipe would be greatly appreciated, too.

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All snuffs are categorised simply as Rappee Snuff and Scotch Snuff.

Many of the recipes (like today) appear to consist of a limited number of base snuffs which are then flavoured in different ways. The base snuffs are mostly coded as follows: Quantity/ No./Letter. Princes Snuff for example, reads as follows:

Princes 200 (llb cwt?) No.3 L
8oz Otto Rose
60 Drops Oil Cinnamon
2oz Oil Rhodium
6oz Oil of Jassamine (Jasmine)

I haven’t yet discovered the measurement of quantity but presume it is in pounds.

Some other easy recipes refer directly to the base snuffs which are called Principles. See the Scotch Snuff (SS) sample.

Other snuffs such as S.P and Violet Brown have very long and complex recipes which call for manufacturing on an industrial scale.

I’ll need quite a lot of time to sift through all the material. Scotch Black is mentioned and a recipe follows (although it is not clear whether it refers to Scotch Black). There is definitely a recipe for Scotch Brown but I’ll produce a list of all snuffs referred to in the notebooks in due course.

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I have read in a book about tobacco history (which i dont remember the name) that scotch was the fine dry snuff, brown scotch was a scotch fine snuff with some moisture in it (and or added scents) and rappees were of course the coarse ones with origins from France. the name scotch came out from “Scottish” and not from “scorched” as some may believe. The Irish people had the toasted Irish snuff but people were calling it irish scotch or simply irish.

The Irish snuff was toasted but the classic old Scotch snuff was not necessarily toasted, it was just fine dry snuff.
These days people think Scotch comes from scorched because of America using fire cured leaf in their scotches, making them think that this smoky scent is coming from scorching-toasting the tobacco which is not the case. In older days a scotch could be fire cured or air cured and still would be a scotch as long as it is dry and fine.
Brown scotch is the same grind but with added moisture in it.

What a great thread @PhilipS2 ! thanks for sharing this! Very interesting!

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That’s right. Scotch snuff derives its name from Scotland – hence representation by an effigy of a kilted and bonneted Highlander taking Scotch snuff and it has nothing to do with scorching. All high-dried snuffs(whether toasted or not) along with the powdery light brown snuff that constitutes much of the UK’s output are classed – or would once have been classed - as scotches. The nomenclature changed in the first half of the 20th century.

Wilsons of Sharrow state correctly on their website that:

‘Scotch Snuff’, a folk-etymology derivation of the scorching process used to dry the cured tobacco by the factory.

It is just that – a folk-etymology of relatively recent origin.

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This for starters is the list of Taddy & Co. snuffs made up to 1845 – over one hundred recipes, many of which are familiar names. Some items have not been included due to difficulty in reading the text and my interpretation of the spelling in this list may not always be exact or conform to modern spelling. Nor have I included the scattered recipes of Alfred Ceal – Freemason, tobacconist and snuff manufacturer of 13 Whitechapel Road (later 35 Minories) which were found loose among the Taddy notebooks. Taddy & Co was based at 45 Minories.

The recipes for primary snuffs all assume industrial capacity by the manufacturer and were sold wholesale or used by the manufacturer themselves as base snuffs for further mixing and/or scenting. The wholesale snuff would have found its way down via agents to tobacconists who were at liberty to add their own flavourings and names at will – much like today, but on a much larger scale. There was no copyright or trademarks regarding names– evidenced by inclusion in this list of well-known names like Gillespie (of Edinburgh) or Austie (of Devizes). Some names such as Wellingtons and Blucher (victors at Waterloo) have obvious associations with the Regency Period (1811 to 1820). Mixes are common and make up the bulk of this list. Some snuffs, like Jefferson’s (see sample) are mixes of mixes. SP is familiar but both X and G themselves are mixes and the whole is flavoured with lavender, calamansi, mint oil and cinnamon. So, chains of cross references quickly develop making recipes slightly trickier to pin down.

James Taddy (1747-1828) established his business in 1784, twenty-four years after Sales & Pollard. He knew John Pollard and their names appear together on committee meetings in London regarding tobacco issues which were advertised in The Times newspaper from 1789. Partners in the business of Taddy &Co included William Tomlin, Alexander Hatfeild and George Friend. However, it was Gilliat Hatfeild of Taddy & Co who made the company particularly famous in the late 19th and early 20th centuries by virtue of the quality cigarette cards which were/are very collectable. It is for these cards that the firm is remembered today.

The name Polhill occurs in several Taddy & Co. snuffs. Researching the name reveals that Nathaniel Polhill and his descendants operated a snuff mill in Morden which was then part of Surrey. He and his partner, John Davenport, took out insurance in 1758 which is, I believe, the earliest record of their snuff-grinding business. The history of the Morden snuff mills on the River Wandle can be found from a pdf file – Morden Halls Snuff Mills. Sales & Pollard, however, used Ansell’s Water Mill in Carshalton, also powered by the River Wandle. Their insurance policy in 1786 with Sun Insurance was jointly with George Ansell. Parcels (snuff-work) sent to Ansell’s by Sales Pollard for grinding all seem to be in excess of 2,400lb.

Other than what can be gleaned from the operation book the Sales Pollard recipes are going to take quite a while to decipher as everything is coded – hence the comparatively slim notebook. As a sample of the challenge I’ve enclosed the page on Manufactured (Scotch) Snuffs used in the following “Mixings”. The only thing that makes sense at present is the last entry HD – Nothing.

Rather amusingly one of the Rappee Mixtures is named ‘Tom and Jerry’ which conjures up images of the MGM cartoon characters. Actually it’s a good example of selling the same snuff under different names (like Queen’s and Tom Buck) as Tom and Jerry is identical to Morton’s which is flavoured with musk, rhodium, verbena and jasmine. Anyway, here is the Taddy & Co list of snuffs.

Rappees Primary

No. 39 S or Geo. Brown

No. 39 S or Geo. Black

FGB [Fine Grain Brown]

LB [Light Brown]

BC [Best Common] Black

No. 39 or Polhill’s Black

Zealey’s

Cuba

P.G Coarse Dutch

Single P Fine Dutch

Amersfoort

BA [Black Amersfoort]

Negro Head [Cavendish]

Brazil

Rapees Mixture

L.B.C [Light Brown Common]

C.B.T Good Brown

No. 27 Finest Brown

Imperial Brown

Imperial Black

No. 39 B.C [Best Common]

No. 39 C [Common]

No. 39 C [Common] Scented

No.1 B or Black Strasbourg

No.1 R or Red Strasbourg

Princes Mixture

Morton’s

Macouba

Tonquin

Tonquin Mixture

No. 37

Paris

Facon de Paris

Dutch Carotte

French Carotte

Frankfurt

Bolongaro

Gent. Taylor

John Bull

[?] Adelaide

[?] Mint

Devil’s Own

Bourbon

Dunkirk

Bordeaux

Bureau

D’Etrenne

Gillespie

Latakia

English Gentleman

St. Omer

Letter F

St. Vincent

Martinique

No. 47

Grand Cairo

Wallflower

Dr. Gillies

Wellingtons

Esterhazy

Reform

Leopold

The Doctor

St. Domingo

Ragamuffin

Blucher

Dawson’s Mint

Navarino

Merino

Tom and Jerry

Amsterdam Fine

Amsterdam Gros

Rupell’s Mixture

Gallyer’s

Scotch Primary

S.P [Sales Pollard]

Common No.9

C.S [?]

Polhill

P & J [?]

Scotch Mixture

No.1 Polhill

No.2. Ditto

No.3 ditto

No.4 ditto

No.5 ditto

No.6 ditto

No. 7 ditto

No. 40

Jefferson’s Mixture

Common No.4 X

B.S [Best Scotch]

HD [High Dried]

S.S [Scotch Snuff]

S.F [?]

W & D [?]

Kirley’s Mixture

Brookes

Lamb’s

Beers

Millers

Saunders & Weather

Austie’s

If anything piques your interest then let me know and I’ll write up the recipe for you when I’m able to do so. The notebook I’m using was compiled by a junior partner, nephew to William Tomlin, and largely avoids the codes and shorthand that make the other Taddy book so difficult to decipher. However, if I can’t translate his writing then I’ll simply send a photograph of the original and let you figure it out for yourself, but PLEASE don’t disseminate any images I send outside of this forum.

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That’s most interesting. Thank you so much for sharing with us. Fascinating information. Graeme

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PhilipS2, Let me know if you can use any help trying to decipher them, I would consider it a privilege. Is there any chance I could take a look at them, I could really use some recipes. I have been stockpiling different raw flours, from leaf, and rib. I really love Toasts, but just let me know if I can help, or whatever. I would really love to try and figure some out. Or if you have any recipes ready to use by the hobbyist.

  Regardless, I wish you and your family well
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Take a look here, @Huff-N-Snuff: Recipe for S.P Scotch: a primary snuff made by Messrs. Taddy & Co. This works great with same amount of salt instead of alum and same amount of calcium hydroxide instead of quicklime. Scroll down through that discussion thread for composition by ingredients mass fractions (%) and lamina to stem (mudrib) blending ratio.

Also, do take a look at this thread: Old snuff recipes.

Then, quite a few great tried-and-loved recipes, including some industrial formulas (fine dry Maghrebi rustica snuffs - neffas - come to mind), are posted on this thread: Snuff making 101 - #272 by volunge.

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Contrary to what I might have said before, it’s the Sales & Pollard notebook – not the Taddy & Co two books – that makes little sense as all ingredients, tobacco and flavourings, are represented by two and sometimes three letters and there is no reference page referring to their meaning or how the snuffs are actually made. Sample page for scents enclosed.

The twenty Taddy recipes, on the other hand, are all understandable. A second book details the process of manufacture for these recipes – all on an industrial scale - by a junior partner learning the trade and describes in plain English the simpler 86 Scotch and Rappee mixtures such as Princes or Grand Cairo. Both formal recipes and mixtures are scattered around this forum. Of particular interest, I thought, was the comparison of Fribourg & Treyer snuffs with those of Taddy & Co where it seems only the names are the common factor.

With the exception of Cuba Rappee no scents are added directly to snuff. Instead a medium called G is used to impart flavour and is then filtered out using sieves.

Although I have the Taddy notebook in full the museum was closing before I had time to finish making copies of all the twenty formal recipes but captured a fair few including S.P Scotch, Best Common, Cuba Rappee, Violet Brown, Polhill’s Scotch and a number of others. I had intended on going back this year to make copies of the missing recipes but radical treatment for my cancer made me too ill to travel. I’m feeling much better now, thank goodness.

PS – I notice that in the list of primary scotch snuffs I left out one called X but it is a recipe that I didn’t copy.

Although Taddy paid £2,000 for the C.S recipe the meaning of the letters remains a mystery. Again, I didn’t copy the formal recipe but the notebook provides detail. Letters I have identified are:

P & J (Polhill & Jones)
S & W (Saunders & Weatherall)
W & D snuff is almost certainly after Wright & Davies of Southwark

I also found several loose and miscellaneous pages by the snuff manufacturer Thomas Ceal. The dates are unknown (probably early 19th century) but, like the early Sharrow ledgers, it refers to the letters S & P rather than SP.

PPS – In my estimation it would be impossible for a hobbyist to re-create the primary snuffs as the very large weights (usually thousands of pounds of tobacco) used in stacking a parcel are very specific as are the times for fermentation and turning – the heavier the weight of the parcel the higher the temperature within. Nevertheless, Volunge, converted measuring units for S.P. snuff to metric ones and calculated ingredients by mass % to yield:

1220 kg tobacco + 580 kg water + 78 kg potassium carbonate + 77 kg potassium oxide + 45 kg potassium aluminium sulfate = 2000 kg snuff.

Tobacco 61%
Water 29%
Potash 3.9%
Quicklime 3.85%
Alum 2.25%

You might like to try that for a homemade S.P snuff as Volunge suggests.

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If there is anything in the list of interest to you just let me know and I’ll find the recipe for you if I have it. (I have recipes for all the Taddy & Co mixtures and about half of the formal recipes). Volunge and Filek, meanwhile have recipes perhaps better suited for the hobbyist. Ask Filek for an English copy of his very detailed book on Polish snuff as there are plenty of listed recipes.

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The only recipe for high-dried in my possession calls for one part ‘Rutter’s Welch’ to five parts ‘P & J’ (after Polhill and Jones).Rutter’s Welch was bought from the manufacturer so sadly I don’t know the composition. ‘P & J’ uses 1120 lbs Virginia Stalk and 1792 lbs Rich Viriginia Leaf, all liquored in a solution of Peal Ash and Lime.
Enclosed is the formal recipe for No.39. It’s listed as a rappee but called Scotch Brown Rappee and is labour intensive to make. The notes refer to it as black.

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